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Some
things are immortal. One sees lots of wise heads
nod in heavy agreement. But what is im-
mortal? “Deathlessness,” they say in one awestricken breath.
Richard Bach and quite a few philosophers say immortality is love –
because God is love. Then we ask “What is love?” The
Bridge Across Forever by Richard Bach states love is a bridge across
time and space and even causation. Love is being. “We are the bridge
across forever, arching above the sea, adventuring for our pleasure, living
mysteries for the fun of it, choosing disasters over triumphs challenges
impossible odds, testing ourselves over and again, learning love and love
and LOVE.” It
begins with the protagonist’s search for his soulmate. A search that
eventually ends with his acquisition of wealth and status and fortune and
fame. He decides — both conveniently and despairingly that his perfect
woman is many women. One woman in many bodies. When a lot of beautiful women
start falling over him (and his money and fame), and he believes there is no
soulmate – then he theorises that different bits of the perfect woman
exist in different women. A thought in one, a smile in another, a face in
the third, a body in the fourth, a soul (rarely but sometimes) in the fifth
and so on and on and on. Until four years after he has met and been best
friends with the ‘beautiful in every sense’ Leslie Parrish. Then they
become lovers, but by then Richard is a commitment phobic. He has built his
walls and defenses against hurt and disappointment and most of the time he
is blind, and he blindly hurts the one spirit that can save him. But he has
flashes of insight: My
highest truth is that I’ve got a long way to go to learn about loving
another person. My highest truth is that my Perfect Woman is at best good
for some talk, some sex – transient affairs, staving off loneliness.
She’s not the love the kid at the gate had in mind, so long ago. He
chooses, with some help from his future self. No really, his own future
self. And thereafter it is a journey of hope and frustration and amazing,
magical discovery. The story is true. They literally move together in space
and time — and it is all very very real. Not just because the author says
so, but because, to anyone even mildly connected with what is beyond the
gross and material, it sounds so plausible. So
do we have a soulmate? Richard and Leslie say we do. Look
for a love affair that gets better with time, admiration brightening, trust
growing through storms. With this one man I saw that intense intimacy and
joy were possible for me. I used to think those were my own special needs,
my personal signs of a soulmate. Now I think they may be everyone’s. Perhaps from this worldly love we learn universal love. Indeed attachment cannot be love because it is dependant, but where there is imperfection attachment is inevitable. And, used rightly, it can no doubt be one of the greatest learning experiences. Under
the Bridges of Paris By
Lakshman de Silva How
would you like to be down
by the Seine with me? Oh,
what I’d give for that moment or two under
the bridges of Paris with you. Darling,
I’d hold you tight Far
from the eyes of night. Under
the bridges of Paris with you I’d
make your dreams come true. Eartha
Mae Kitt, actress and singer, is famous even in Sri Lanka, mainly for this
hit song Under the bridges of Paris. In the fifties and sixties when
this haunting hit was played listeners were mesmerised, and even today the
interest lingers. My
darling why I sing this song is easy to explain. It
tells what happens all along the bridges of the Seine. The
vagabonds go there at night to sleep all their troubles away. But
when the moon is shining bright my heart wants to sing it this way. This
song and other songs of Eartha Kitt were and are not only famous, but
favourites of those not only in the United States but also in many other
countries. Eartha
Kitt is both a singer and an actress. She was born on January 17, 1927 in
North South Carolina in the United States. She has also acted on stage, and
has been a star of night clubs. She
began living in Harlem in New York at the age of eight. When she was
attending the High School of Performing Arts she became a member of the
Katherine Dunham dancers, and with them she made a tour of Europe. She
stayed in Paris and appeared in a posh night club. On her return to the US
she also appeared in Manhattan supper clubs. She
performed at the Blue Angel as a cabaret artiste. Next she appeared in Monotonous
in Broadway which lead to a national tour and Twentieth Century Fox film by
the same name. Her
stardom in Broadway led to a succession of best selling records which
included Love For Sale and Folk Tales Of The Tribes Of Africa
for which she received a Grammy nomination. She
again returned to the cabaret scene at The Persian Room, The Empire Room,
and London’s Talk of the Town among others. In
her return to Broadway she took part in the play Mrs. Patterson and
she received a Tony nomination. In addition to stage appearances there
followed also films that included, The Mark of the Hawk with Sydney
Poitier and Anna Lucasta with Sammy Davis Jr. During this period she
also became involved in Batman television series in her famous
Catwoman role. Eartha
has sung in a number of countries in 10 different languages and she was
honoured on Hollywood Boulevard’s ‘Walk of Fame’ in 1960. In
1968 at a White House luncheon hosted by Lady Bird Johnson, Eartha spoke
against the Vietnam war. The result was she was blacklisted by many in the
U.S. entertainment industry and she was forced to work abroad. She
returned to the United States in 1974. Her first autobiography was Thursday’s
Child and later she published a second autobiography Alone with me. Her
third volume I’m still here: confessions of a sex kitten was
released in 1989. A feature length documentary on her life entitled All
By Myself was produced by filmmaker Christian Blackwood. Eartha
Kitt’s performance at the Café Carlyle in New York had star studded
audiences and her album Back in Business was nominated for a Grammy
award in 1996. Eartha
reveals her secret of vitality in her elegant book Rejuvenate! Its Never
Too Late designed specifically for older readers. ‘Under
the bridges of Paris with you I’d
make your dreams come true.’ Aurora
— Achala’s first
solo
There
is no better way to greet the new
year than with a little
positivity, and nothing says positivity like a little colour. Hence the
reason that Achala Jayawardena has chosen this very special time to exhibit
her latest artistic exploits. The
exhibition titled Aurora meaning a conflagration of colour is the
third such foray in to the world of art for Achala. Having sketched all her
life she only started to paint and use colours under the nurturing eye of
Latifa Ismail, having joined her art class in 2000. Achala stresses that if
not for the introductions made by another artist, Hethumathie Karunathilake,
her dreams may not have been fulfilled. Achala’s
first group exhibition was held in September 2000, just six months after
having joined Latifa’s class. In February 2002 she held her second group
exhibition under the watchful eye of Latifa and soon the progression of the
young artist was taking place. This
is Achala’s first solo exhibition and is a testament to her talent,
confidence and natural growth as an artist. Achala’s paintings include
many varied subject matter which veer from dark and brooding to vibrant and
colourful and while most of the paintings are done with oil colours there
are soft pastels,water colours, charcoal and even ink drawings. She has
included among her paintings portraits, scenery, life studies and nature. Painting
for Achala is a passion only to be consumed when time permits as she is also
studying for a law degree (externally) while being married. Her thanks go to
Ismail for “Letting me paint the way I want”. Achala says “Mrs Ismail
has always been helpful and if we make any mistakes she simply touches up
the painting and shows us the way it’s done. I really enjoy painting as a
group even more than painting on my own.” “My parents have always
encouraged me to paint and I am thankful to them, my husband and my brother
and sister-in-law, who though not in the country have always supported me
‘. Achala
Jayawardena’s solo exhibition of paintings Aurora will be held at
the Lionel Wendt Gallery from 2-4 ofJanuary. The exhibition will be open to
the public on the 3rd and 4th. —Michelle
Perera A
Musical photographer
Vipula
Amarasinghe is a professional pho tographer.
But apart from his sometimes hard
and tiring job, Amarasinghe also plays in a band. For Amarasinghe his
interest in music and photography started many years ago. Even though some
of us pursue one profession and leave the other behind, Amarasinghe wasn’t
about to give up either of these subjects. Even though music and photography
are miles apart Amarasinghe through interest and commitment was able to
master the art of both subjects very fast. “I
started taking wedding photographs at the age of 18” says Amarasinghe, who
at present performs with the Sonic musical band.
According
to Amarasinghe being a photographer can be tough at times. “There is a lot
of planning and setting involved when taking a photograph. In the case of
performing in a band, well that is a completely different area. Both areas
require hard work. But since I love what I do I have managed to divide my
time between photography and music” says Amarasinghe.
Amarasinghe
covers a wide area in photography. Starting from wildlife to diving and
fashion photography, Amarasinghe has also covered many areas of interest in
the media. Speaking
of his experience with the Sonic band, Amarasinghe said for the past
three and a half years he has been singing. “There are days when bookings
pile-up. At such times we have two groups namely Group A and Group B to
perform” explained Amarasinghe. Amarasinghe
has performed with singer Rupa Indumathi on radio. Having songs such as Sina
Malak Pipila and Sanda Sisila Aran to his name, Amarasinghe has
come a long way since he first pursued his interest in music.
“I’m
hoping to release more songs in the future” says this singer and
photographer who doesn’t hesitate to mention that he received much support
and encouragement from other musicians in the field.
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