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Rajaman’s guide to Australia |
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This
is a guide book that talks about everyday life in
Australia.
The
book gives practical information about the basics
aspects of Australian society.
The
book is written for Sri Lankans who want to understand
about life in Australia before they go and gives an idea
about how it is to really live in Australia. For example
it explains how to find lodging, how much it’s going to
cost for a room? For a house? How to buy a house? Rates?
It
explains about the transport system –prices of tickets,
about weekly-deals that will save money. Then discounted
markets — the price of food items, how much is a loaf of
bread. Clothes — how to do winter-shopping cheap. The
prices. About how to find jobs — part time jobs and
professional jobs, nature of job industry in
Australia.
The
reason for this booklet? The university magazines and
other booklets in the industry give only a vague idea to
students and don’t give practical information about how
to live there and how much it’s going to cost them. This
book will make the students and migrants properly
informed before they go to Australia (plus they can do a
budget). Why Rajaman’s Guide To Australia? It’s like a
Mr. Bean-like character who explains everything with
humour.
Review by Carl Muller
“Beautifully enough, this guide also carries a poem by
G. K. Samarakoon that you simply must read. This is a
guide book extraordinary, and it brings Australia to you
in so many ways no other book does. But this handy guide
is not only one of the most lively and whacky I have
come across, but it is so down to earth that one wonders
how well the writer has assembled both wit and wisdom in
bringing within covers a full pouch, brimming with
information that serves up, for migrants and visitors, a
full platter.
Review by Northern Star – Australia
Rajaman’s Guide To Australia is a practical information
book released by Migrant Education Centre, Victoria.
What it is, is an ‘Idiot’s Guide to Australia’ written
by G.K. Samarakoon an Australian writer, teacher and
traveller. The book is written by the perspective of a
migrant, hence it explains things in simple language
with a bit of humour. The book covers everything from
maps, how to find lodging, food, transport, part-time
jobs, immigration and visas etc.
There were a few things which I learned from the book as
well. And things like the weekly tickets are taken for
granted by Australians in the country but these things
could be a novelty to new migrants. So in that sense
this book is a must-have for anyone coming in to the
country to study or live. – Susan Bingley, Migrant
Counsellor.
Works of Schumann, Strauss and Mendelssohn at SOSL
Premieres Concert
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Atsushi Kimura and KeikoKobayashi |
The
Symphony Orchestra of Sri Lanka premieres three works —
R. Schumann’s Rhenish Symphony, R. Strauss’ Fanfare For
The City Of Vienna for Brass and Timpani and
Mendelssohn’s Overture To Ruy Blas, at its annual
Premieres Concert, on Friday, October 9, at Ladies
College Hall at 7.30 p.m.
This
year’s Premieres concert will have another unusual touch
in that three of the four works performed are in E flat
major, and the fourth, the Mendelssohn Overture, is in
the relative key of C minor.
Celebrated lady conductor Keiko Kobayashi will take the
baton for the second time with SOSL. Tokyo-born Keiko
Kobayashi, needs no introduction to
Colombo
audiences, who heard her compelling conducting of
Beethoven 5th Symphony and Mozart’s Flute & Harp
Concerto at last year’s Premieres concert. A pupil of
Kazuyoshi Akiyama, Kenichiro Kobayashi, Yuji Yuasa,
Douglas Bostock and the legendary Seiji Ozawa, her most
recent achievement was the First Prize at the Boswil
International Conducting Master Class in
Switzerland.
She conducted the Aargau Symphony Orchestra earlier this
year.
Since
her debut, she has conducted the Tokyo Philharmonic
Orchestra (TPO), the Tokyo City Philharmonic Orchestra,
the Nagoya Philharmonic Orchestra, Tokyo Kosei Wind
Orchestra (TKWO) and the Siena Wind Orchestra and in
2006, she was répétiteur and assistant conductor at the
Hallwyl Opera Festival in Switzerland. She had her
European debut with Bizet’s The Fair Maid Of Perth at
this festival, to which she returned in 2009 to conduct
Smetana’s The Bartered Bride. She is a conductor at the
Senzoku Gakuen College of Music, and the Soai Orchestra
in Japan.
The
pick of the works to be performed is perhaps Schumann’s
finest orchestral work, the Rhenish Symphony In E flat,
for which the nobility and spirit of the Rhine river and
its people had been his inspiration. The piece is a
truly monumental romantic five-movement symphony, which
will receive its first performance in Sri Lanka. The
fourth movement is a luxuriously orchestrated
contrapuntal masterpiece, a challenge for any conductor.
R. Strauss’ Rousing Fanfare was written for the
Trompeterchor (Brass Band) of the City of
Vienna
in 1943. Its two minutes features some brass playing of
great brilliance.
Renowned Japanese horn player Atsushi Kimura is guest
soloist for Mozart’s Third Horn Concerto, also to be
premiered at the concert. Born in 1958 in Kanazawa,
Japan, Atushi Kimura began playing the horn at the age
of 12. He studied at Toho Gakuen Music School, Tokyo,
under Prof. Masahiro Tanaka and Prof. Katsuyoshi
Kurosawa. He was a member of the Tokyo Symphony
Orchestra from 1978 to 1986, and has been a member of
Tokyo Kosei Wind Orchestra since 1986. From 1986 to
1996, he played in the Saito Kinen Orchestra. He is
presently director of the Japan Horn Society.
Mozart’s Third Horn Concerto is perhaps the finest in
this genre, and has great richness and is more symphonic
than the other three. The Romance second movement allows
the soloist to display his finest cantabile, and
infectious high spirits dominate its hunting horn
finale.
Mendelssohn’s Ruy Blas Overture is mainly in C minor,
and is a wonderfully tuneful overture for large
orchestra consisting of pairs of flutes, clarinets,
bassoons, and trumpets, four horns, three trombones
(alto, tenor and bass), timpani and a full complement of
strings. It was written for a Victor Hugo play of the
same name, which the composer hated.
SOSL
concerts are much looked forward events in the Colombo
music lover’s calendar. Asian Alliance Insurance PLC is
the main sponsor and the Japan Foundation is co-sponsor,
Cinnamon Grand Hotel is the hospitality partner and
electronic media sponsors are Sirasa TV, Sirasa FM,
Channel 1 MTV and Yes FM.
A bold attempt by Dr. Piyasiri Vijayasekere
The
launch of Piyasiri Vijayasekere’s translation of Marcel
Pagnol’s ‘La fille du puisatier’ took place at the
Alliance Francaise, Colombo on September 24 amid a
gathering of friends, well-wishers and literary
enthusiasts.
The
book, titled, Lin, Mamage Donianda Hewath Lindo was
received with much acclaim. Addresing the gathering at
the launch, Vijayasekere, who has spent much time in
France and
is well spoken in both Sinhala and French explained that
though this translation is not the first of this classic
French story, he is certain that it brings home the
story to Sinhala readers in a clear manner.
Dr.
Piyasiri Vijayasekere’s translation Well-Digger’s
Daughter is PAGNOL’s fourth work in Sinhala. He has also
translated Nobel Prize laureate Albert Camus’s The
Stranger (1992) (Best Translation, 1993, Independent
Literary Festival), Elie-Georges Berreby’s Le Visiteur
(theatre, 1903, unpublished), Pearl Fishers (opera) (Carré
& Cormon, 2008) and Michael Ondaatje’s Running In The
Family (2008). He holds a Masters degree (Panthéon
Sorbonne) and a Doctorate (Université de Paris).
According to Dr. Vijayasekere, direct French-Sinhala
translations offer an additional advantage of engaging
in a culturo-ideological decolonisation process
vis-à-vis the dominant (colonial) mode of communication.
Kinnara ’09
Kinnara ’09 was organised by the Hewisi Band of S.
Thomas’ College on September 12 and brought together
over 2000 people, young and old. This year’s performance
was compered by Sahan Rathnayake and Dylan John – two
young Thomians whose talents in this department were
truly exceptional.
The
Chief Guest, Sam Wijesinghe, and Ranjini Abeynaike
opened the evening by lighting the oil lamp together
with the Warden, Revd. John Puddyfoot, Sub Warden,
Harshana Fernando, Chaplain, Rev. Rebecca, Master in
Charge Dilanka Matthew, Malsiri Peiris representing the
parents, Asst. Band Leaders Sandharu Ferdinando and
Trehan Manathunge and Band Leader Mevan Peiris.
The
show commenced with the Band of Museaus College.
Trinity
College,
Kandy – one of the most renowned Hewisi bands in the
country came in with their exceptional drumming and fire
antics adding colour and vibrancy to the show. Bishop’s
College brought on a band comprising of over 40
performers on a range of percussion instruments on to
the chapel steps amidst a loud cheer from the audience.
The
youngsters from S. Thomas’ Guruthalawa put on an amazing
show of fire-dancing which was very courageous and
looked quite dangerous too for a troupe of young boys.
The
dance troupe of the
Asian
International School brought in a difference to the line
up as a small group of eight talented teenagers took to
the floor. The fusion music and their well practiced
performance kept the audience mesmerised.
The
STC Old Boys came in with a lovely line up of popular
Eastern and Fusion melodies. Their presence bore witness
to the fact that Thomians are Thomians for life. Their
love for their alma mater will bring them back offering
her their talents, resources and love for the next
generations of school boys.
The
Grand Finale was the 30 minutes of music brought on by
the Hewisi Band of STC Mount Lavinia. Thirty eight
youngsters on flutes, davul bera, geta bera, thammatam,
thalam-pata, cymbals, base drum, African jambur, thabla,
bamboo, practiced for three months to bring on this show
and they certainly did themselves proud. Kushlani Allis
directed the choreography which certainly added to the
beauty and quality of the show.
Band
Leader Mevan Peiris did an outstanding job in training
the boys and keeping them motivated over the long
practice sessions and coordinating all aspects of the
show – most of which were handled by the school boys
themselves. The Assistant Band Leaders Sandaru
Ferdinando, Trehan Manathunge and the team of seniors
took the responsibility to make the event happen. Their
vision and commitment to take the show to the next level
is probably the recipe for success.
“This
is my seventh Hewisi concert and I’ve learnt all I know
from the seniors who in turn learnt from their seniors,”
says Mevan. “Over the years I’ve been involved in almost
all the sports offered in college, I did not excel in
them all, but I certainly built a huge group of great
friends throughout the school at all levels. To be
available for each other and support each other in
achieving our dreams is what friendship is about – and
at S. Thomas’ we live that kind of friendship,” he
stated.
The
teamwork within the band and among the different groups
of boys within the school was simply awesome. The
scouts, the cadets, the house prefects, college
prefects, the parents, the teachers, the minor staff and
the old boys and many more all contributed in a big way.
The bandsmen themselves took on a host of
responsibilities. One handled the decorations and the
entire design aspect of all print material, one
coordinated the souvenir, one the ticket sales and so
on. The master in charge Dilanka Matthew — also in his
teens — was a great support to the boys.
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