Following their astounding success at
the Sri Lanka Festival of Music, Dance and Speech this
year, the Mary Anne School of Vocal Music presents
The Glory Of Gold 2009, a concert which will
showcase yet again, just what this renowned academy is
made of.
The Sri Lanka Festival of Music, Dance
and Speech, affiliated to the British and International
Festivals of Music, Dance and Speech is locally
organised by Joy Ferdinando. She flies out judges from
the UK for the competition.
The Mary Anne School of Vocal Music is
open to students of every age. The instruction covers a
wide genre of music and the haul of 72 gold medals this
year, marks the second time the Mary Anne School of
Vocal Music has dominated the Sri Lanka Festival of
Music overhauling last year’s achievement of 60 gold
medals which led to the first Glory Of Gold
concert held at the Russian Cultural Centre in 2008.
Speaking to The Sunday Leader,
the Choral Director of The Merry An’ Singers and
Managing Director of the Mary Anne School Of Vocal
Music, Mary Anne David stated that the plus factor of
this Festival and the main reason she encourages her
students to take part is that a competition with foreign
judges means a competition without bias. She explained,
"They don’t know who we are, our background etc. and
have no interests in anything but the talent."
The recent success at the Festival is
cause for celebration according to David, who said she
is presenting this show in order to let the general
public see what the school is capable of and showcasing
some of their best talent and, of course, celebrating
all that the School has accomplished at the Festival.
The concert will cover a wide range of music from Pop to
Semi Classic, Gospel and Sacred to Broadway and Jazz.
The accompanists for the show will be
accomplished musicians Kamalini Cassiechetty on piano
and Christopher Prins on drums. Neranjan De Silva, a
musician in his own right, will handle the sound. Of
course, Mary Anne David on keyboard and Andre David will
be the brains behind it all. With nearly 150 productions
under her belt and over 40 years in the industry as a
mentor to some of the biggest names in Sri Lankan song
and dance David certainly has much to celebrate.
Awarded the State Music Award for her
contribution to Western Vocal Music (2008) and the Zonta
Woman of Achievement Award (1989) she was the first to
have an all-girl choir called The Mariann Singers, back
in 1975-1979. David said of the journey thus far, "It’s
been very eventful and satisfying. I feel good when I
look back at the school I built as I have seen hundreds
pass through. Everywhere I go, I see a singer, choral
director or band leader I helped groom, making his or
her own way in the world of music, making their own
music and that’s very fulfilling."
The School, established in 1981 focuses
on developing voices through exercises and instruction
based on the Bel Canto method and has a strict screening
programme which helps the school enrol children with
potential. The results are evident in the plethora of
amateur and professional singers who have emerged in the
local and international music scene.
She says she’s had the privilege to work
with many — the talented and not so talented, kids who
have gone on to make a name and career for themselves in
the industry; Kishani Jayasinghe, Gayathrie Peiris
Patrick, Preshy Navaratnam, Bathiya and Santhush,
Soundarie David of Soul Sounds, Sanjeev Jayaratnam of
Revelations, hip-hop artist Ashanthi, Sunil& Piyal of
the Gypsies and Naushad of Flame to name a few.
Some blessed with vocal talent have
sadly given up singing for other careers. Yet throughout
it all, she’s seen the music industry in Sri Lanka
flourish. The school has been uplifted over the years
thanks to the influx of kids who are interested in
Western music. In 1981 the Davids were the first to
popularise broadway revue type shows with the now
ever popular sing-a-longs.
And what does David think of today’s
talent and today’s music? While the ‘boom-chuck’ music
as David calls it, is not her cup of tea, she still
finds ways of connecting with younger students through
Andre. Also many an old tune has been rehashed into pop
hits of today.
Classical music is her preference,
though she maintains a soft spot for the oldies. She
points out the fact that the older generation hardly
have a proper radio station to listen to anymore. The
world of ‘oldies’ being infiltrated by DJs with corny
accents or tunes with a range of four notes and two
repetitive sentences for lyrics and with brain numbing
commercial belts, she has just about had it!
Her answer to this older generation’s
plight is a club called ‘The Young Ones’, open to those
of 40 and above. They meet on every third Saturday of
the month at Calvin Hall from 5:30pm. This club brings
together people from all strata of society, who are able
and differently-abled and whose only "qualification" is
a desire to sing the golden oldies and they have a blast
at it too.
She said, "One gentleman in the club
calls it his ‘re-fuelling’ station. He has a breath
control problem but a fantastic voice and every time he
sings I hear that problem clearing away. It’s getting
better as he works on his voice, and it gives him a
sense of purpose." And while David is helping an entire
new generation flourish in music, she’s fulfilling her
desire of giving back something to a generation in which
she once flourished.
She said, "I now have to hire various
venues for my teaching and dream of having my own
studio, with facilities, where I can have my classes as
well as train teachers of vocal music the techniques of
voice production." In the meantime the grooming of her
only son Andre, deputy director of the School and
assistant conductor/choreographer of the Merry-An
Singers is underway. One day the operations of this
establishment will be handed over to this young,
talented and vibrant personality brimming with ideas.
An
exhibition/ installation by Kingsley Gunatillake will be
held at Alliance Française Colombo on October 8 from
6pm.
A book
certainly is more than its title, more than its
contents: it also is a material object with which we
have an intellectual and a physical relationship.
Holding a
book, leafing through its pages, caressing its cover or
admiring its images are part of the reading experience.
We all remember the smells of paper and ink of our first
readings. The stories we discovered as children are both
memories of the mind and hands, eyes and heart.
There
definitely is an emotional dimension to a book and this
is why a book is a work of art.
Kingsley
Gunatillake is exploring deeply into this artistic
dimension but he never forgets its explosive social and
intellectual dimensions: he reminds us books have been
persecuted, because the questions they raised have put
ill at ease moral or political powers in place. Books
have been forbidden, hidden, torn apart, burnt,
disappeared…
Untitled
Book is a
different and original way of looking at printing
matters.
This
installation of Kingsley Gunatillake, held at Alliance
Française within the framework of Lire en fête,
an annual celebration of reading taking place in France
and in many countries, magnificently celebrates the
object of writing and reading.
— Bertrand
Dufieux
was shocked to find
a reference to the Vijitha Yapa Bookshop stall at the
Colombo International Book Fair by your Freelance
Reporter Michael Hardy in his article on September 27.
He says we seemed to be using the bookfair "to unload
the remainders and used books they couldn’t sell
any where else". I can assure him all the books in our
stalls were new. We did not have remainder books
in our stalls. The first book on display was Dan Brown’s
latest The Lost Symbol. For his information, this
book was released on September 17 worldwide . Perhaps
the problem may have been his perception. for example
The Lost Symbol is being sold in US bookshops at US
$ 25.95, while we are selling at Rs 1800 less 20 per
cent. Many books from UK and US are sold at prices much
lower than in those countries, because we negotiate
prices and pass on the savings to our customers.
With thousands of
books on display and sale, his solitary purchase of
George Eliot’s Silas Marner "in a cheap
illustrated edition" for Rs 130 indicates what he was
looking for— bargain remainders. There was a separate
section of eight stalls specifically for bargain books
in Hall D. All booksellers offered discounts, contrary
to Hardy’s statement. Being a book fair held in
Sri Lanka, and not an American remainder fair, the
majority of the books were from publishers of Sinhala
and Tamil books, which he would not have understood.
He says one is
better off spending the Rs 10 admission fee on a bus
ride to any of Colombo’s many bookshops. Where one can
get a bus ride for Rs 10 is best known to him. But the
Rs 10 admission levied is to try and keep the crowds
down and give an opportunity to genuine book lovers to
come to the fair. The admission fee collected is
deposited and administered by Sampath Bank and is used
to provide scholarships to deserving children.
Last year’s funds were used to award scholarships to
poor children and these scholarships were personally
handed over to the children at the inauguration of the
book fair by Education Minister Susil Premjayanth.
The bookfair committee and organisers work on a
voluntary basis and not a cent is paid out to any event
organiser to run the fair.
He says "it isn’t
enough to sell books — you have to sell books that
people want to buy". With over a million attending the
fair and sales running into millions too, the Sri
Lankans who flocked to the fair from all parts of sri
Lanka stretching from Jaffna to Dondra provide ample
evidence that they have not missed the bus. Other than
in the main cities, Sri Lanka does not have well stocked
bookshops and this is one occasion when virtually all
publishers in Sri Lanka have a chance to display and
sell their publications on one ground. Our people
neither have the resources or reach of Borders or Barnes
and Noble, but the majority of imported books are
cheaper than in the West despite the high cost of
freight plus a port and airport levy and a nation
building tax plus other charges.
As one of the
committee members of the bookfair organisers, we
cannot be blamed for not having air conditioning.
The BMICH premises is hired for the book Fair for nine
days and does not belong to the book publishers. But the
Sirima Bandaranaike Exhibition Complex where the
majority of the books in English were available is air
conditioned.
He says what he
really wanted "was a tall glass of arrack". Sorry, Mr
Michael Hardy, you have visited the wrong place to
get alcohol. The book fair is a family outing for people
of all ages and alcohol is not allowed. It is not a bar
nor a cricket match where you say "there’s a better
selection of refreshments".
Vijitha Yapa
Chairman,
Vijitha Yapa Bookshop
Michael Hardy
writes:
Mr. Yapa clearly
does not ride the buses in Colombo. For less than Rs. 10
I can get from my Bambalapitiya apartment to numerous
bookstores, including two branches of Vijitha Yapa. And
contrary to Mr. Yapa’s claim, imported English-language
books are significantly more expensive here than in the
West, especially when you consider the low prices
offered by online retailers like Amazon.com; I bought
Silas Marner
in a cheap illustrated edition because the better
editions were wildly overpriced. I did not come to the
book fair to buy alcohol. However, after an hour in the
sweaty confines of the BMICH a tall glass of arrack
became increasingly appealing. If I could only make one
suggestion to the organisers of next year’s event, I
would advise them to get a liquor license.